send + receive: a festival of sound

send + receive v.13

FRIDAY, OCTOBER 7


ARTIST TALK  with Julie Rousse (FR)

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From wanderin’ in industrial zones to dreamin’ in the fields.

MAWA (Mentoring Artists for Women’s Art), 611 Main Street
 | NOON | FREE

Julie Rousse has been collecting sounds for over fifteen years and is always seeking new sources of 
field-recordings worldwide. Her range of action then goes from music for imaginary movies to contemporary 
dance, accompanying graphic animation movies or installations for visual artists. This talk will explore the artistic process of a sound sculptor.

Presented in partnership with Mentoring Artists for Women’s Art.

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PUBLIC PERFORMANCE

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HIT PARADE | Christof Migone (TO)
On Albert St. between Bannatyne & McDermot Avenues | 5 PM | FREE

Participants lie face down on the street where they block traffic and proceed to pound the pavement with the microphone one thousand times. The sound of each person’s actions is amplified through an amplifier. Each person can choose their own rhythm and intensity. The performance ends when all participants have completed their one thousand hits.

This performance is presented in partnership with Plug In ICA.

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EVENING CONCERT

White Dog (WPG) | Julie Rousse (FR) | Mattin (SP)

Atomic Centre, 167 Logan Avenue
| 7:30 PM | $12

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Working primarily in noise and drone, White Dog explores the dark pools of psychological tension and terror that exist within the human experience. From the earliest recorded tracks in 2004 to 2011's Escape the Mystery II, White Dog continues to melt minds by taking mundane or whimsical ideas and sounds, twisting them into unsettling, wacky and sinister soundbombs.

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French artist Julie Rousse is a self-taught sound artist, and collector of field recorded sounds. She is interested in regaining an organic feeling in music by means of electronic devices and improvisational acts, with a marked taste for abstract narration, turbulence of details and the inextricable disorder of life.

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Mattin is a Basque artist working with noise and improvisation. His work seeks to address the social and economic structures of experimental music production through live performance, recordings and writing. Mattin considers improvisation not only as an interaction between musicians and instruments, but also as a situation involving all the elements that constitute a concert, including the audience and the social and architectural space. He tries to expose the stereotypical relation between active performer and passive audience, producing a sense of strangeness and alienation that disturbs this relationship.